CAnnotator: Photo-Guided Color Annotation for Degraded Ancient Paintings
Tan Tang, Yanhong Wu, Yihan Gao, Junming Gao, Songela Nur, Buwei Zhou, Yuchen Lin, Yingcai Wu, Xiaosong Wang, Xiaojiao Chen
Abstract
Ancient paintings suffer irreversible color degradation due to aging and improper conservation. Labeling degraded paintings with authentic colors becomes vital to protect these valuable cultural heritages, which is challenging due to missing color information. Users typically need to investigate relevant photos to infer authentic colors and then validate these colors by mixing traditional pigments. However, such a task could be exhausting. To ease the difficulty, we propose an interactive visualization tool, namely CAnnotator, that streamlines efficient human-AI collaboration for the color annotation of degraded ancient paintings. CAnnotator consists of three views: a paint-annotation view, a photo-reference view, and a pigment-mixing view. Given an ancient painting, the paint-annotation view is developed to help users extract its color-degraded object textures that would be propagated to the relevant photos using a texture tracking model. Based on the tracking results, the photo-reference view provides texture-color and object-posture filters to explore the photos that include the given texture colors and object postures. We train a deep learning model to simulate the mixing of physical pigments and employ the chain rule to support progressive pigment mixture using a novel flow-based color visualization. We demonstrate the usage of CAnnotator through a use case and evaluate its effectiveness through model experiments and an in-lab user study. Compared to the baseline, CAnnotator could improve user confidence of labeled colors and foster user engagement at the cost of additional time.
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