RCO : Investigating Social and Technological Constraints through Interactive Dance

Sarah Fdili Alaoui; Jean-Marc Matos

doi:10.1145/3411764.3445513

CHI2021顶会

RCO : Investigating Social and Technological Constraints through Interactive Dance

Sarah Fdili Alaoui, Jean-Marc Matos

DOI 出版方

2021年份

22被引次数

7顶会引用

摘要

We describe the research led by the performance Radical Choreographic Object (RCO). RCO is a participatory performance where the audience members respond to instructions and interactions sent to their mobile phones as well as invitations to dance from the performers.

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引用它的顶会 Paper7

CO/DA: Live-Coding Movement-Sound Interactions for Dance ImprovisationJules Françoise, Sarah Fdili Alaoui, Yves CandauCHI 2022 · 被引用 43 次
Designing in Conversation With Dance PracticeTove Grimstad Bang, Sarah Fdili Alaoui, Elisabeth SchwartzCHI 2023 · 被引用 22 次
"Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance ParadigmsRay LC, Sihuang Man, Xiying Bao, Jinhan Wan 等CSCW 2023 · 被引用 19 次
"Becoming My Own Audience": How Dancers React to Avatars Unlike Themselves in Motion Capture-Supported Live Improvisational PerformanceFan Zhang, Molin Li, Xiaoyu Chang, Kexue Fu 等CHI 2025 · 被引用 18 次
Zoom Obscura: Counterfunctional Design for Video-ConferencingChris Elsden, David J. Chatting, Michael Duggan, Andrew Carl Dwyer 等CHI 2022 · 被引用 16 次

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