Automation and Creativity: A Case Study of DJs' and VJs' Ambivalent Positions on Automated Visual Software
Anna Spagnolli, Diletta Mora, Matteo Fanchin, Valeria Orso, Luciano Gamberini
摘要
Computerized solutions in the domain of creativity and expressive performance increasingly provide art and artists with exciting new opportunities. However, the combination of automation and creativity also raises controversies and resistance in some user groups. This paper considers the case of software-generated visuals in live music performance and tries to make sense of the ambivalent response given by its intended users (i.e., DJs and VJs). We carried out seven face-to-face interviews, an online survey (N = 102) and 25 interviews at a distance to unravel DJs' and VJs' positions on automated visual software. Four core controversies were eventually identified, gravitating around the implications of using such software on DJs' and VJs' identities as artists and on their competitive advantage in their activity sector. The conclusions reconnect these findings with the larger issue of understanding the users' responses to automation.
问问这篇 Paper
智能体会读完全文。
Lune 把这篇 Paper 索引到了每一个公式,引用它的顶会 Paper 也一样。你提问,回答直接引用原文。
相关 Paper
- What We Can Learn From Visual Artists About Software DevelopmentJingyi Li, Sonia Hashim, Jennifer JacobsCHI 2021 · 被引用 62 次
- The Effects of Viewing Formats and Song Genres on Audience Experiences in Virtual Avatar ConcertsSebin Lee, Daye Kim, Jungjin LeeACM MM 2023 · 被引用 9 次
- Vibing Together: Dance Experiences in Social Virtual RealityRoosa Piitulainen, Perttu Hämäläinen, Elisa D. MeklerCHI 2022 · 被引用 75 次
- Looking inside the VR Music Scene: Mapping Platforms, Events and PeopleSophia Ppali, Alberto Boem, Alexandra Covaci, Marios Constantinides 等CHI 2026 · 被引用 1 次
- User Experience Design Professionals' Perceptions of Generative Artificial IntelligenceJie Li, Hancheng Cao, Laura Lin, Youyang Hou 等CHI 2024 · 被引用 149 次
