Animacy and the Eye of the Beholder: A Mixed-Methods Study on Cognitive Animacy with a Kinetic Origami Surface
Charalampos Krekoukiotis, Giulia Barbareschi, Berend te Linde, Katsuki Higo, Ryogo Kawamata, Sotaro Shimada, Takatoshi Yoshida, Kouta Minamizawa
Abstract
Previous research shows how animacy attribution is shaped by perceptual and cognitive processes based on morphological and behavioural characteristics. Existing evidence is largely focused on passive observation of movement on a screen or scenarios involving predefined interactions. We explore cognitive animacy perceptions of 19 participants during embodied engagement with a spatial-scale kinetic origami surface with no defined interaction modalities. In a mixed-methods study, we collected EEG data, Godspeed Questionnaire evaluations, videos of participants engaging with the surface and semi-structured interviews to understand participants' experiences. Our results show individuals' animacy perceptions are constructed through complex, embodied meaning-making processes, affected by artifacts' morpho-behavioural traits as well as individuals' actions and interpretations. However, widespread brain activations make it hard to pinpoint to specific neurological phenomena. We unpack intrinsic and extrinsic factors shaping animacy perception, articulate the importance of ambiguity in the design of animate' objects and present application scenarios for our prototype.
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