Lune

ICCV2019Top-tier venue

Shapeglot: Learning Language for Shape Differentiation

Panos Achlioptas, Leonidas J. Guibas, Noah D. Goodman, Judy Fan, Robert X. D. Hawkins

2019Year
86Citations
29Top-tier citations

Abstract

In this work we explore how fine-grained differences between the shapes of common objects are expressed in language, grounded on 2D and/or 3D object representations. We first build a large scale, carefully controlled dataset of human utterances each of which refers to a 2D rendering of a 3D CAD model so as to distinguish it from a set of shape-wise similar alternatives. Using this dataset, we develop neural language understanding (listening) and production (speaking) models that vary in their grounding (pure 3D forms via point-clouds vs. rendered 2D images), the degree of pragmatic reasoning captured (e.g. speakers that reason about a listener or not), and the neural architecture (e.g. with or without attention). We find models that perform well with both synthetic and human partners, and with held out utterances and objects. We also find that these models are capable of zero-shot transfer learning to novel object classes (e.g. transfer from training on chairs to testing on lamps), as well as to real-world images drawn from furniture catalogs. Lesion studies indicate that the neural listeners depend heavily on part-related words and associate these words correctly with visual parts of objects (without any explicit supervision on such parts), and that transfer to novel classes is most successful when known part-related words are available. This work illustrates a practical approach to language grounding, and provides a novel case study in the relationship between object shape and linguistic structure when it comes to object differentiation.

Ask about this paper

Your agent reads all of it.

Lune indexed this paper to the last equation, along with the top-tier papers that cite it. Ask a question and the answer quotes them.

Questions to start from

Your agent calls

Luneget_paper_fulltext

Ask in Lune

Free to start. No credit card required.

Cited by top-tier papers29

Ask how each one uses it

Builds on1

Related papers

Dusk over the sea between two cliffs drawn in fine vertical lines