Depictions of Privacy Invasion and Surveillance in Artworks and Potential Lessons For Privacy Communication
Tess Eschebach, Emma I. C. Peterson, Nathaniel Kim, Bingning (Jolin) Liu, Marc Downie, Douglas Pancoast, Blase Ur
Abstract
User-facing communication about privacy (e.g., privacy policies, privacy tools' user interfaces) is frequently ignored and often ineffective. In contrast to these arguably staid interfaces, artworks often focus on provocation, engagement, and critical interpretation. For decades, artists have created privacy art-artistic media in galleries relating to the surveillance and privacy of individuals. What are artists saying about privacy, and how? Crucially, what lessons might they have for designing privacy-focused user interfaces? To this end, we compiled over 800 privacy artworks, qualitatively analyzing a sample. Common topics spanned artistic media (from paintings to immersive installations) and eras. Artworks built upon familiar concepts (e.g., cameras, homes) to speculate on society's future and present personal information (e.g., artist, viewer, public). We discuss lessons for making non-artistic privacy communication more engaging and powerful through directing attention (e.g., lighting, collage) and setting a tone (e.g., unsettling, fun, mundane).
• Security and privacy → Human and societal aspects of security and privacy; Usability in security and privacy; • Applied computing → Fine arts; Media arts.
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