Lune

CHI2024Top-tier venue

Challenges of Music Score Writing and the Potentials of Interactive Surfaces

Vincent Cavez, Catherine Letondal, Emmanuel Pietriga, Caroline Appert

2024Year
5Citations
3Top-tier citations

Abstract

Composers use music notation programs throughout their creative process. Those programs are essentially elaborate structured document editors that enable composers to create high-quality scores by enforcing musical notation rules. They effectively support music engraving, but impede the more creative stages in the composition process because of their lack of flexibility. Composers thus often combine these desktop tools with other mediums such as paper. Interactive surfaces that support pen and touch input have the potential to address the tension between the contradicting needs for structure and flexibility. We interview nine professional composers. We report insights about their thought process and creative intentions, and rely on the "Cognitive Dimensions of Notations" framework to capture the frictions they experience when materializing those intentions on a score. We then discuss how interactive surfaces could increase flexibility by temporarily breaking the structure when manipulating the notation.

• Human-centered computing → Empirical studies in HCI; HCI design and evaluation methods.

Ask about this paper

Your agent reads all of it.

Lune indexed this paper to the last equation, along with the top-tier papers that cite it. Ask a question and the answer quotes them.

Questions to start from

Your agent calls

Luneget_paper_fulltext

Ask in Lune

Free to start. No credit card required.

Cited by top-tier papers3

Ask how each one uses it

Related papers

Dusk over the sea between two cliffs drawn in fine vertical lines