Exploring the Role of Artifacts in Collective Dance Re-staging
Jean-Philippe Rivière, Sarah Fdili Alaoui, Baptiste Caramiaux, Wendy E. Mackay
Abstract
Preparing a new dance performance involves more than learning individual steps. We are interested in understanding how dancers collaborate as they rehearse a new dance piece, with a particular emphasis on how they use physical and digital artifacts to support this process. We conducted a 12-month longitudinal observational study with a dance company that re-staged a dance piece, taken from the contemporary repertoire and unknown to the dancers. The study focused on the role that artifacts play in shaping the learning of a dance piece. We showed how dancers produced an ecology of artifacts with the aim of analyzing the choreographic ideas behind the dance and sharing them with other learners. We showed that sharing these artifacts was challenging because they are idiosyncratic and embody their creator perspective and vocabulary. We then illustrated how dancers overcome this challenge by compiling artifacts and distributing the learning task among the group in order to create a common knowledge of the piece which improves the learning process. We conclude with design opportunities for technologies supporting long-term dance learning processes. CCS Concepts: • Human-centered computing → Empirical studies in HCI; Empirical studies in collaborative and social computing.
Ask about this paper
Your agent reads all of it.
Lune indexed this paper to the last equation, along with the top-tier papers that cite it. Ask a question and the answer quotes them.
Cited by top-tier papers5
- Designing in Conversation With Dance PracticeTove Grimstad Bang, Sarah Fdili Alaoui, Elisabeth SchwartzCHI 2023 · 22 citations
- "Contradiction pushes me to improvise": Performer Expressivity and Engagement in Distanced Movement Performance ParadigmsRay LC, Sihuang Man, Xiying Bao, Jinhan Wan et al.CSCW 2023 · 19 citations
- Dance Transitions: What Forms of Technology Best Support Professional Dancers as They Learn New Movement Styles?Elizabeth Walton, Wendy E. MackayCHI 2022 · 9 citations
- A Constructed Response: Designing and Choreographing Robot Arm Movements in Collaborative Dance ImprovisationXiaoyu Chang, Fan Zhang, Kexue Fu, Carla Diana et al.CSCW 2025 · 4 citations
- Designing Interactive Movement Sonification For Hip-Hop DanceLouise Grebel, Sarah Fdili Alaoui, Benjamin Matuszewski, Emilien Ghomi et al.CHI 2026 · 1 citation
Related papers
- The Ubiquitous Role of the Smartphone in Breaking: An Ethnographic-Informed StudyLeonor Portugal da Fonseca, Francisco Nunes, Paula Alexandra SilvaUbiComp 2026
- Here and Now: Creating Improvisational Dance Movements with a Mixed Reality MirrorQiushi Zhou, Louise Grebel, Andrew Irlitti, Julie Ann Minaai et al.CHI 2023 · 34 citations
- "It's Like Being On Stage": Conveying Dancers' Expressiveness Through A Haptic-Installed Contemporary Dance PerformanceXiming Shen, Xuan Li, Youichi Kamiyama, Danny Hynds et al.CHI 2025 · 15 citations
- DanXeReflect: Interacting with the Spatio-Temporal Past Movements for Embodied, Reflective Choreographic CollaborationHyunju Kim, François Guimbretière, Bokyung LeeCHI 2026 · 1 citation
- Exploring Collaborative Movement Improvisation Towards the Design of LuminAI - a Co-Creative AI Dance PartnerMilka Trajkova, Duri Long, Manoj Deshpande, Andrea Knowlton et al.CHI 2024 · 24 citations
