Lune

CVPR2025Top-tier venue

Polarized Color Screen Matting

Kenji Enomoto, Scott Cohen, Brian L. Price, T. J. Rhodes

2025Year
1Top-tier citations

Abstract

Research (a) Scene (b) Chroma keying (c) Polarimetric matting (d) Ours Figure 1. (a) Scenes with fully polarized blue/green backgrounds under unpolarized known color illumination. (b) Commercial keying tools [31] use color information to extract an alpha matte, often struggling with hair details or motion blur due to the essential ill-posedness of the problem. (c) Polarimetric matting [22] uses polarization cues to extract an alpha matte without manual operations, often struggling with polarized foreground reflections as shown in the specular highlight. (d) Our Polarized Color Screen Matting leverages color and polarization cues, which enables more accurate alpha matte extraction for a wide range of real-world objects.

Ask about this paper

Your agent reads all of it.

Lune indexed this paper to the last equation, along with the top-tier papers that cite it. Ask a question and the answer quotes them.

Questions to start from

Your agent calls

Luneget_paper_fulltext

Ask in Lune

Free to start. No credit card required.

lune papers fulltext 29db91ff-44e9-4e72-83b1-98c6c6ded166

Cited by top-tier papers1

Ask how each one uses it

Builds on7

Related papers

Dusk over the sea between two cliffs drawn in fine vertical lines